Post
by Jonathan Rogers » Wed Jun 10, 2009 1:19 pm
I agree that I like classical games from the earlier periods, but I think that Kasparov would say, with some justification, that the simplicity and elegance of Capablanca and Smyslov, etc is so beguiling because they had ineffective opposition who allowed them to carry out their plans. If one were able to imitate them, without learning modern opening theory and working on other aspects of the game, one could not achieve the same success today - and nor should one. It would be a sign that chess is failing to evolve. Today, strong players resist! and if they see that their opponents are about to develop a positional bind of the sort which Keith relishes, they won't simply allow it - they will complicate the game instead!
That, of course, is not to say that we are seeing such a high level of chess that there is no joy in following it. But it is true that the audience has to work harder to understand the top games, and I wonder whether that is what Keith does not like so much. Annotators too have to work much harder than they used to in order to make the top games comprehensible. Not all are able to do this.
Anyway, Matt is obviously right, in saying that we are still nowhere near to seeing near-perfection at the top. It is possible, in particular, to make the top 100 in the world with a relatively shallow opening repertoire, as shown by many top Chinese players, more than one of whom have had lost positions as Black in the Slav after 12 moves in recent years. And generally we are (I believe) seeing a higher rate of decisive games at the top than used to be the case in the 1970s.